Month: December 2025

Ellen releases new single “Golden Apples Of The Sun,” honoring a folk legacy and friendship with Dave Van Ronk

New track previews forthcoming album Go Around Songs Vol. 2, a collection of home and live recordings from the 1950s–1970s

Folklorist and singer Ellen Stekert has released her newest single, “Golden Apples Of The Sun,” a deeply personal and historically resonant recording that looks ahead to her upcoming album, Go Around Songs Vol. 2. The album gathers home and live recordings made between the 1950s and 1970s, capturing a lifetime immersed in traditional song and the folk revival.

“Golden Apples of the Sun” sets W.B. Yeats’s poem “Song of the Wandering Aengus” to a melody Ellen has carried with her for decades. “The beauty of this Yeats poem is perfectly matched by its musical setting,” she says. Yet for many years, the origins of that setting had slipped from memory.

“I had long forgotten where I learned the music to which the poem is set,” Ellen recalls, even as she remembered “Judy Collins’ stunning rendering of it on one of her early recordings.” The answer resurfaced unexpectedly during a visit in 1966, when her friend and fellow folk singer Dave Van Ronk stopped by while passing through Detroit. Ellen had been friends with Van Ronk since meeting him at Izzy Young’s bookstore in the mid-1950s—where the folk revival movement began to blossom. “His visit was filled with music,” Ellen says. “And among the songs he played was Golden Apples,’ using his setting. I realized then that it was his setting I had learned.”

The single carries particular historical value because it preserves Van Ronk’s distinctive setting of the song—one that Ellen absorbed so fully it became inseparable from her own singing. “When you sing a song that you love, you absorb it and it becomes impossible to think that there ever was a time when you did not know it,” she reflects. “That was true for me of ‘The Golden Apples.’”

In words that echo Yeats himself, Ellen describes the way songs become part of the singer: “I wondered at how we make songs our own; how they become a part of us… or, as Yeats said, ‘you cannot tell the dancer from the dance’—or, I thought, the singer from the song.”

A rare recording of Dave Van Ronk teaching Ellen his setting of “Golden Apples of the Sun” in 1966 is available here. This recording offers listeners a glimpse into the oral tradition at work.

“Golden Apples Of The Sun” is available now on all major streaming platforms and can be purchased on Ellen’s Bandcamp page. Go Around Songs Vol. 2 will follow, continuing Ellen’s lifelong work of preserving, inhabiting, and passing on the songs that shaped her.

MPR’s Minnesota Now chats with Ellen and Ross

Ellen and producer Ross Wylde were interviewed this week on Minnesota Public Radio’s Minnesota Now program. They talk about the process behind bringing Ellen’s archive of music back to life, and Ross’ careful use of AI to clean up the age-damaged tapes by removing pops and hisses and improving the sound quality without diminishing the quality of Ellen’s performance itself. We know that many folks look askance at the use of AI for anything creative, but we feel that the technology can be used with care and restraint for specific tasks like audio restoration. As Ross says in the interview:

Ellen and Ross also drop a bit of news about our future music releases: Ellen’s second album, her followup to Go Round Sounds, Vol. 1, should be released in about a month! (We’ll let you guess what the title might be.) In addition, we’ve got a new single due out this week—”Golden Apples of the Sun,” which Ellen learned from her friend, folk legend Dave Van Ronk.

You can hear the interview on MPR’s website, or listen by clicking the embedded audio below. Our thanks to MPR’s Nina Moini and Ngoc Bui.

“A folk song is an expression of a person”: Ellen interviewed in Cornellians magazine

Ellen got her start as a folksinger and academic at Cornell University, where she got her B.A. in philosophy in 1957, helped found the Cornell Folk Song Society, taught classes in folk literature with professor Harold Thompson, and spent much of her free time with the folk musicians playing nearby in New York City. Melissa Newcomb of the university’s alumni magazine Cornellians has just written a lovely article about Ellen, her music, and her time at Cornell: “At Age 90, a Singer, Collector, and Scholar of Folk Music Goes Digital.” Please give it a read!

Our thanks to Melissa and everyone at Cornell!

Ellen interviewed on Grand Marais’ WTIP radio

Ellen and producer Ross Wylde were interviewed on Friday by Scenic Route, a show broadcast on WTIP community radio in Grand Marais, Minnesota, on the north shore of Lake Superior. They talk about Ellen’s history in the 1960s Greenwich Village folk scene, the plethora of archival music we’ve released over the past year, and much more.

You can listen at WTIP’s website, or play the audio link below.

Our thanks to the good folks of Scenic Route!

By the way, this isn’t the first time Ellen has appeared on WTIP: In 2018, she talked with The Roadhouse. The conversation includes Ellen’s reminiscences of her early days as a musician and folksong collector, as well as a performance of her song “The Careless Lover.” This one is also available for listening at WTIP’s Soundcloud site, or the audio link below.

Ellen releases new single, “Puttin’ On The Style”

Ellen has released another new single, “Puttin’ On The Style,” revisiting a recording of the song that she made in the early 1960s. A different version of this song can also be found on her now-rare debut record, 1955’s Ozark Mountain Folk Songs, Volume One.

About the song

Ellen writes:

"Folksongs, even those as light-hearted as “Puttin' On The Style,” are not what some believe; they’re not simply rhymes with tunes for undeveloped minds. They are glimpses into the values and feelings of the people who perpetuate them. They are windows into other worlds — or mirrors with which to see ourselves. When a song ceases to mean anything, it fades away and disappears. When a song is malleable, it changes. Folksongs live and change, and in those changes are the histories of the peoples who have chosen to perpetuate them, change them, or let them die.

In 1953, I left home for my Freshman year at college in upstate New York. I had recorded my first album with Stinson Records earlier that year and among the songs on it was “Puttin' on the Style.” Having been raised in a privileged suburb of New York City, I thought I knew a great deal about the subject. I had a good deal to learn.

I left home for college believing that the woman I saw about a year ago shopping in our local A&P in a mink coat, was putting on the style. But I didn’t think that my wearing dungarees into the city to visit my grandmother was anything more than my rejecting the “dressed up” values of my mother’s family. The dress my mother preferred I would wear was putting on the style in my eyes, but I never thought of my wearing dungarees that way.

In my view, I simply didn’t want to be forced into what my mother thought was proper clothing for a young lady. I didn’t like dresses, girdles or heels and I chose to play down my femininity. In doing so, I sorely broke with propriety. That rebellion was a reverse “putting on the style.” It was meant as a negative statement to my family rather than an attempt to be accepted….although it well might have been a plea to be accepted. Whichever it was, it clearly broke group normative behavior.

“Putting on the Style” speaks of minor “outrages” of people attempting to be accepted within the society of both the narrator and what s/he sees. It doesn’t tell us about aberrant behavior at the level of a murdered-girl ballad, but it does tell us something of the limits of various kinds of behavior at the times and places it was sung.

I have not yet come across a song about wearing dungarees in an inappropriate place, but perhaps someone will write it. I wonder if it will live and change or just fade away?"

With “Puttin’ On The Style,” Ellen invites listeners to hear the song as both artifact and mirror: a relic of another era and a commentary on how we still negotiate identity, class, gender, and belonging in the way we dress and behave.

“Puttin’ On The Style” is available now on all major streaming platforms and Bandcamp.

Credits

Released November 14, 2025
Guitar, Vocals: Ellen Stekert
Producer: Ross Wylde
Production Assistant: Bates Detwiler
Editorial & Publicity Manager: Christopher Bahn